“I’m a thinker – I’m also a builder – and a revealer of possibility. What’s special is found in the relationship of the two as they converge. Stitch my heart, man – I must go again. Stitch my mind up, please – I must go again. Stitch my hope back together, sir – I must go agin. Stitch my will and my spirit, ma’am – for I will be going again. ‘Here I Go’.” -Wes Urbaniak



Wes Urbaniak’s experimental expressionism puts fire to the gasoline structure of folk music. His songwriting is a quilting of life lived, lessons learned, humility sought, and understanding earned through the processes of becoming a steady and thoughtful man.  Urbaniak works the range on the acoustic guitar, often times playing both rhythm and melodic lead, while singing and putting it down on the stomp plate. In support of that Mountain Folk music that Urbaniak plays, he has brought on some other stringed talent in the form of Mat Regele and David Banuelos to help develop the dynamic and the melodic themes for the stories that he delivers.


This year, they are set to tour nationally upon the back of Urbaniak’s eighth and ninth albums while plugging the setlist with favorite songs from the previous albums and new, unreleased material.

Lightbox Music Sessions: Governed by Tides



Wes Urbaniak, fairy-tale scientist, calls upon all that he has learned and will learn to pursue his musical goals. As a man who builds what he needs, he has a full-range of skills and knowledge. Many titles befit him: singer-songwriter, string-player, videographer, sound engineer, producer, and luthier, but they are as elusive a fit as defining his genre. He could be described as Alt-indie folk, but he ties in elements from a variety of influences to choreograph his sound to his message. Adding in his custom stomp-plate, beatboxing, and signature pauses and breaks, Urbaniak’s sound twists and turns throughout his lyrics. This culminates in the genre “Mountain Folk”. 


Wes Urbaniak Biography – Long


Wes Urbaniak: Come to Confess

   A FEW (plus one) JAMS